The Stand Still
The Concept
A personal reflection on the moment I first learned about the 9/11 attacks at the age of six. Through the lens of childhood memory, the piece captures a quiet, intimate scene—a mix of innocence and the abrupt introduction to a world shaken by tragedy. The installation explores how the events of that day were processed through a child’s eyes, preserving the stillness and confusion of that unforgettable moment.
The Room
The room is designed to mirror the exact moment I sat at my kids’ table, eating oatmeal with cranberries while watching Aladdin, unaware of the world-changing event unfolding just beyond my view. My mother, sitting nearby, is absorbed in the news, her face filled with concern, while trying to shield me from the disturbing images of people jumping from the towers. Reused furniture, soft lighting, and actual photos from my childhood reconstruct the atmosphere, emphasizing a sense of suspended time and fragmented memory.
The Stand Still
invites viewers into a nostalgic and haunting scene, where everyday objects and personal photos evoke a profound sense of childhood innocence in the face of unspeakable tragedy. The room features a small wooden table set with a bowl of oatmeal and cranberries, surrounded by soft, muted lighting and images of myself at that age, capturing the quiet domesticity of the moment. As visitors step into this space, they are immersed in a snapshot of my past, experiencing a pivotal moment of history through the eyes of a child.
